Monday, May 25, 2009

Louvre Pyramid, France Largest glass and metal pyramid

The Louvre Museum in Paris, France is a masterpeice of Renaissance architecture. I.M. Pei's design consists of unusual arrangements of geometric shapes. Standing 71 feet high, the pyramid lets light into the museum's reception center. The Pritzker Prize winning architect, I.M. Pei is often praised for his creative use of space and materials.

The Louvre Pyramid is a large glass and metal pyramid, surrounded by three smaller ones, in the courtyard of the Louvre Museum (Musée du Louvre) in Paris, France. The Louvre is the largest and oldest art gallery and museum in the world. The main entrance is a large metal and glass pyramid designed by I.M Pei and was built in 1989.it has become a landmark for the city of Paris.

Structure: it was designed by the architect I. M. Pei, who is responsible for the design of the Miho Museum in Japan among others. The structure, which was constructed entirely with glass segments, reaches a height of 20.6 meters (about 70 feet); its square base has sides of 35 meters (115 ft). It consists of 603 rhombus-shaped and 70 triangular glass segments.

The structure, which is constructed entirely of glass segments reaches a height of 70 feet (20.6 meters) and is 115 feet (35 meters) wide at the base. The Louvre museum finished pyramid contains 673 glass panes (603 rhombi and 70 triangles). A higher figure was obtained by David A. Shugarts, who reports that the pyramid contains 689 pieces of glass. The true achievements of this structure are the engineering break through cable system, and the underground planning which the Louvre desperately needed.

The pyramid and the underground lobby underneath it were created because of a series of problems with the Louvre's original main entrance, which could no longer handle an enormous number of visitors on an everyday basis. Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings. Several other museums have duplicated this concept, most notably the Museum of Science and Industry in Chicago. The construction work on the pyramid base and underground lobby was carried out by Dumez
Although Pei's design was initially very controversial, many felt this futurist edifice would look out of place in front of the Louvre Museum with its classical architecture but their fears have been proven wrong. The main pyramid is actually only one of several glass pyramids which includes the down-pointing La Pyramide Inversee that functions as a skylight in an underground mall in front of the museum. anyone who visited the Louvre prior to this new entrance can recall standing in long lines and walking forever once inside (inevitably getting lost!). Without changing any of the exterior architecture, Pei created this entrance by excavating the Napoleon Court, formerly a parking lot in the center of the wings. The lower level, then, serves not only as the infrastructure for the museum but provides easy and clear access to the three wings of the musuem. In the center of the court is the entrance pyramid, about 66 feet tall and made of clear glass about 3/4" thick.

Controversy: Its construction triggered considerable controversy as It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. 'Univers declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6." The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. [5] Shugarts obtained the figure from the offices of I.M. Pei. Various attempts to actually count the panes in the pyramid have produced slightly discrepant results, but there are definitely more than 666. A quick calculation based on 18 units per edge with two tiers removed in the center at the entrance easily confirms the 673 number.

The challenge for celebrity architect I.M. Pei was to create a design that would accomplish its task while at the same time allow the Louvre Museum to remain the focus of attention. The solution he came up with was a series of glass pyramids. The idea was presented to the people of Paris in 1983, and they didn't like it. He built a life-sized mockup in 1985, and those with vision relented. Construction of the pyramids allows visitors to enter the museum without cluttering up the courtyard with their presence, and have the museum extra space which was used for offices, educational institutions, shops, and underground parking.

The opening of the Pyramid: The glass Pyramid built by I. M. Pei was inaugurated on March 30, 1989. Rising from the center of the Cour Napoléon, it is the focal point of the museum's main axes of circulation and also serves as an entrance to the large reception hall beneath. From here, visitors can also reach the temporary exhibition areas, displays on the history of the palace and museum, Charles V's original moat, an auditorium, and public amenities (coat check, bookshop, cafeteria, restaurant).
The pyrimads are fanmtastic. They are breathtaking. Definatly a sight worth seeing

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The Louvre Museum in Paris, France is a masterpeice of Renaissance architecture. I.M. Pei's design consists of unusual arrangements of geometric shapes. Standing 71 feet high, the pyramid lets light into the museum's reception center. The Pritzker Prize winning architect, I.M. Pei is often praised for his creative use of space and materials.
The Louvre Pyramid is a large glass and metal pyramid, surrounded by three smaller ones, in the courtyard of the Louvre Museum (Musée du Louvre) in Paris, France. The Louvre is the largest and oldest art gallery and museum in the world. The main entrance is a large metal and glass pyramid designed by I.M Pei and was built in 1989.it has become a landmark for the city of Paris.

Structure: it was designed by the architect I. M. Pei, who is responsible for the design of the Miho Museum in Japan among others. The structure, which was constructed entirely with glass segments, reaches a height of 20.6 meters (about 70 feet); its square base has sides of 35 meters (115 ft). It consists of 603 rhombus-shaped and 70 triangular glass segments.

The structure, which is constructed entirely of glass segments reaches a height of 70 feet (20.6 meters) and is 115 feet (35 meters) wide at the base. The Louvre museum finished pyramid contains 673 glass panes (603 rhombi and 70 triangles). A higher figure was obtained by David A. Shugarts, who reports that the pyramid contains 689 pieces of glass. The true achievements of this structure are the engineering break through cable system, and the underground planning which the Louvre desperately needed.

The pyramid and the underground lobby underneath it were created because of a series of problems with the Louvre's original main entrance, which could no longer handle an enormous number of visitors on an everyday basis. Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings. Several other museums have duplicated this concept, most notably the Museum of Science and Industry in Chicago. The construction work on the pyramid base and underground lobby was carried out by Dumez
Although Pei's design was initially very controversial, many felt this futurist edifice would look out of place in front of the Louvre Museum with its classical architecture but their fears have been proven wrong. The main pyramid is actually only one of several glass pyramids which includes the down-pointing La Pyramide Inversee that functions as a skylight in an underground mall in front of the museum. anyone who visited the Louvre prior to this new entrance can recall standing in long lines and walking forever once inside (inevitably getting lost!). Without changing any of the exterior architecture, Pei created this entrance by excavating the Napoleon Court, formerly a parking lot in the center of the wings. The lower level, then, serves not only as the infrastructure for the museum but provides easy and clear access to the three wings of the musuem. In the center of the court is the entrance pyramid, about 66 feet tall and made of clear glass about 3/4" thick.

Controversy: Its construction triggered considerable controversy as It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. 'Univers declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6." The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. [5] Shugarts obtained the figure from the offices of I.M. Pei. Various attempts to actually count the panes in the pyramid have produced slightly discrepant results, but there are definitely more than 666. A quick calculation based on 18 units per edge with two tiers removed in the center at the entrance easily confirms the 673 number.

The challenge for celebrity architect I.M. Pei was to create a design that would accomplish its task while at the same time allow the Louvre Museum to remain the focus of attention. The solution he came up with was a series of glass pyramids. The idea was presented to the people of Paris in 1983, and they didn't like it. He built a life-sized mockup in 1985, and those with vision relented. Construction of the pyramids allows visitors to enter the museum without cluttering up the courtyard with their presence, and have the museum extra space which was used for offices, educational institutions, shops, and underground parking.

The opening of the Pyramid: The glass Pyramid built by I. M. Pei was inaugurated on March 30, 1989. Rising from the center of the Cour Napoléon, it is the focal point of the museum's main axes of circulation and also serves as an entrance to the large reception hall beneath. From here, visitors can also reach the temporary exhibition areas, displays on the history of the palace and museum, Charles V's original moat, an auditorium, and public amenities (coat check, bookshop, cafeteria, restaurant).
The pyrimads are fanmtastic. They are breathtaking. Definatly a sight worth seeing

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